The best stories are the ones that take very silly ideas seriously. This doesn’t mean that they’re not funny; on the contrary, you don’t really hear the truth until it makes you laugh. These books all lean heavily on tropes, specifically B-movie tropes. I used to write detailed reviews of terrible movies, afterschool specials, and creature features. I host a podcast all about the funnier parts of TV criticism. Figuring out how something simple speaks to the core of us is the height of fiction, and all five of these do that and do it with humor.
As a lifelong Angeleno and a history nut, I’m a sucker for funhouse mirror takes on my city.
The world Wolf builds is at once fantastic and real, easy to get lost in, and even easier to visualize. I don’t know if there’s a single novel that’s been more formative to my idea of what fiction should be: funny, exciting, weird, and all wrapped up in a compelling mystery.
There’s a permanent crease in my brain courtesy of Wolf, and I couldn’t be more grateful.
No one, and I do mean no one, can craft a sentence like Larry Doyle.
What Usagi Yojimbo is to a katana, Doyle is to the English language, building statements that manage to at once stretch the imagination but be immediately recognizable. Doyle will describe a feeling, an instant, a moment that is universal in words you’ve never seen strung together.
On top of that, this book is a hilarious romp in an alternate history with monsters and mad science, and it manages to pull off one of the most incredible narrative twists I’ve ever seen.
I’m cheating a little with this one since this is technically three books but go with me. Slaves of the Volcano God, Bride of the Slime Monster, and Revenge of the Fluffy Bunnies are some of those series that used to be thick on the ground but now are harder to find.
They’re adventure novels that play with the tropes of B-movies, and not only are they hilarious, but they made a young Justin like B-movies more. Playing with tropes can get exhausting, but when it’s done with genuine love, as it is here, it makes for an airy joy of a series.
It’s hard to beat Scalzi for nailing the execution of a high concept.
Redshirts could have so easily been nothing but a gimmick, but Scalzi really gets into the guts of the horror and humor of being a character written for the sole purpose of dying. I picked up the book with a cynical eye, expecting to hate it, but it drew me in.
Scalzi went so much further with the concept, shined a light on every corner of the idea, that he managed to create a deconstruction and reconstruction of the same trope at the same time.
'I can honestly say I can't think of another book that ever made me laugh this much. Ever' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It's a prestige posting, and Andrew is even more delighted when he's assigned to the ship's Xenobiology laboratory. Life couldn't be better ... although there are a few strange things going on:
(1) every Away Mission involves a lethal confrontation with alien forces
Liking Terry Pratchett is a bit like liking pizza: not terribly remarkable.
Pratchett is a master storyteller who commands not only tropes but the idea behind them with such skill that I can read one of his books and never realize I’m getting the most profound lesson of my life. I could have recommended any of his books, and more to the point, any of his City Watch books, but I single out this particular book for a reason. I’m a humanist, like Pratchett, and this book explores his humanism most effectively.
And it’s also an amazing mystery and incredible comedy.
Vimes is back, in all his curmudgeonly glory, in this classic, perceptive and laugh-out-loud Discworld mystery that will keep you turning the pages.
'In my opinion, this is the book where Pratchett *really* hits his stride in terms of the city watch books . . . Is this book worth your time? Yes. A thousand times yes' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
THERE'S A WEREWOLF WITH PRE-LUNAR TENSION IN ANKH-MORPORK. AND A DWARF WITH ATTITUDE AND A GOLEM WHO'S BEGUN TO THINK FOR ITSELF.
But for Commander Vimes, Head of Ankh-Morpork City…
City of Devils is book one in a series that reads like a Raymond Chandler script as directed by Roger Corman. In an alternate 1950s, movie monsters are real, and they’re in charge. The cops are werewolves, the politicians are mummies, and crawling eyes run the studios.
Nick Moss is the last human detective in a city of monsters. When a movie star with a thousand faces hires him to find her missing husband, he uncovers a conspiracy of some of the city’s most prominent citizens. Los Angeles used to be the City of Angels. Nick’s got other opinions.
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
